Poetry and Art by Chris Emory
Meanwhile
A quiet state of paranoia settles into the Pasifika
As if it was a part of our daily rhythm.
After the prayers,
After the protocol,
When the village notices that the sunset weeps for us,
Afraid that we won’t be here when it gets back.
That the waves stay a little longer before receding now-
Crashing against the shoreline like the hugs before a warzone
We address
Our relationship to the earth
Through the lens of a tragic motherhood
We call ourselves her children
Consider our humanity
A Mom’s worst nightmare.
Do we infantilize ourselves
To feel less guilty
For the crimes we commit against her?
And isn’t it funny
That we refer to the planet
With female pronouns
So as to say
That womanly bodies are a default recipient of our recklessness?
How do you live with clear conscience
Under an administration
That carves cemeteries out of national parks?
Call it the solution to the housing crisis
Give the deforestation a name
That looks good on paper
And doesn’t visit us in guilt.
An administration that
Would rather watch the ocean
Devour an island nation
Before it could know sovereignty,
An administration
That makes an ultimatum between the quality of life
And the health of the environment.
Why
Is a ballot
Our best shot at safety?
That for some reason
By just living here,
We just know how to sink better than the rest of the world.
Watch
As our neighbors sink too
Watch,
As Micronesia sinks too,
Watch
For the oil rig sunsets that made a funeral home
Out of the Pacific
Watch
For the day our mountains are sea level
Watch for the day that the beach
Goes to us.
This poem is only as unfinished
As our initiative to make things right.
A quiet state of paranoia settles into the Pasifika
As if it was a part of our daily rhythm.
After the prayers,
After the protocol,
When the village notices
That the waves stay a little longer before receding now-
Crashing against the shoreline like the hugs before a warzone
When the village notices that eh sunset weeps for us,
Afraid that we won’t be here when it gets back.
Colorscapes



"These three pieces were made at the Honolulu Museum of Art. They have these ipads with "Colorscape" on them, to act as an interactive component of an exhibition focused on the Hawaiian Monarchy's outstanding international relationships (Ho'oulu Hawai'i by Healoha Johnston.) I'm a security guard there, and you know your girl has to make something/doodle/write whenever she can."
Tuiga Study

"In the middle of brainstorming different Tuiga (Samoan headdress) designs and concept for future project."
FU'A TAU, FU'A MALIU
(Feudal flag, funeral flag)

"Made of siapo, ofe, paper streamers, dead lei, dead kahoa, antlers, earth from Mililani. Featured in "Brown Queer & Also Here" exhibition in October of 2018."
Chris Emory is a multimedia artist, the oldest of 7 truly unique and beautiful siblings, and turns 20 on the launch of this zine <3. She moved to the Hawaiian Kingdom from her homeland of Samoa, and there she is constantly discovering new things about herself, her loved ones, and the world around her.
@sisinresidence on instagram <3